The Networked Image in Post-Digital Culture

This collection examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners engaged in making, curating, teaching, exhibiting, archiving, and preserving born digital objects. The mode of vision and imaging, established through photography over the previous two centuries, has and continues to be radically reconfigured by a hybrid of algorithms, computing, programmed capture and display devices and an array of online platforms. The image under these new conditions is filtered, fluid, fleeting, permeable, mobile and distributed and is changing our ways of seeing. The essays in this collection are the outcome of research conducted at The Centre for the Study of the Networked Image (CSNI) and its collaboration with The Photographers' Gallery over the last ten years. They investigate radical changes in the meanings and values of hybridized media in socio-technical networks and speak to the creeping automation of culture through applications of AI, social media platforms and the financialization of data. This interdisciplinary collection draws upon media and cultural studies, art history, art practice, photographic theory, user design, animation, museology, and computer science as a way of making sense of the specific cultural consequences of the rapid succession of changes in image technologies and to bring the story up to date. It will be of particular interest to scholars and students of visual culture, media studies and photography.